By Jonathan Brooks Platt
Jonathan Brooks Platt seems to be deeply into the motivations at the back of the Soviet glorification of a long-dead poet—seemingly at odds with the October Revolution’s radical holiday with the previous. He perspectives the Pushkin social gathering as a conjunction of 2 opposing methods to time and modernity: monumentalism, which issues to express moments and participants because the starting place aspect for cultural narratives, and eschatology, which glorifies ruptures within the chain of artwork or proposal and the destruction of canons.
in the middle of the nice Purge, the Pushkin jubilee used to be a severe aspect within the force towards a nationalist discourse that tried to unify and subsume the disparate components of the Soviet Union, helping the flow to “socialism in a single country.”
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Greetings, Pushkin!: Stalinist Cultural Politics and the Russian National Bard (Pitt Russian East European) by Jonathan Brooks Platt